“Don’t concern yourself with moving skillfully. Don’t abandon hope if a perfect solution
isn’t found. Failure is a powerful stimulant; it only makes you all the more determined
to be more painstaking …. There’s no standard approach; find your own way.” – Kazuo Ohno¹
Take any movement and cut that energy at any point. For instance, if I want to execute throwing a ball, I might wind, and midway into the throw, something happens, and the energy is cut. Perhaps you might even see the movement executed via the imagination. Your body itself has failed you.
Failure For Itself
During butoh research, we might fall or have an accident of some type. Resonate with the unexpected. Own the error. Own the error so much that the audience may never know there was an error. You may even copy the error and keep utilizing this in the dance. This is utilizing the improvisational theater concept of “Yes, And…” to the maximum.
Meta-Failure For Itself
If we do have a psychological reaction because of our failure (frustration, etc.), dance it. Whatever qualia or body gesture occurs as a result of failure, dance it. You can even fake that you were affected.