“This is how it should be done: lodge yourself on a stratum, experiment with the opportunities it offers, find an advantageous place on it, find potential movements of deterritorialization, possible lines of flight, experience them, produce flow conjunctions here and there, try out continuums of intensities segment by segment, have a small plot of new land at all times.” – Deleuze and Guattari¹
Reduction & Regeneration by X are terms coined by Rhizome Lee.² Movements can be modified in a variety of ways. Pick a qualia and expand or decrease it. Major qualities include speed, size, density, weight, age, fluidity, flexibility, strength, humanness, emotion, craziness/weirdness, beauty, intensity, presence, health, and ego. Maximum reduction can take on the form of maximum downplaying, whereas maximum regeneration can take on maximum exaggeration.
To Deleuze and Guattari, Reduction & Regeneration by X could be thought of as deterritorialization and/or reterritorialization of the usual or typical (human) attribute of something, which are movements in which one leaves or reengages a territory. Both can also be thought of remaking and/or extending the territory.¹
Refering to the above Deleuze quote, a stratum is something (or territory) already solidified or standardized whether socially or habitually, e.g. typical watching eyes. When these typical watching eyes stratum is deterritorialized to a severe degree, for instance, it may become dysfunctional or rotten eyes. The line of flight is the reduction and/or regeneration used as a tool. Continuums of intensities can be endless modifications of intensive differences/properties, e.g., temperature, odor, color, which will certainly change the feel/quality of these eyes.
Exercise 1: 1 to 10
The participants find a movement pattern and one person goes down a list of modifiers (such as speed, strength, humanness). For each one, 1 to 10 is called out. Make 1 the least of the characteristic and 10 the most, e.g. for human, 1 would be least human and 10 the most.
Exercise 2: Duality
By the sound of a stick, the participant switches from the polar opposites of the X in question, essentially utilizing only 1 or 10.
Exercise 3: Reduction by Time (For Entire Piece)
Take 5 or 10 minutes to do a piece, whether it is choreographed or in free resonance or inbetween. Then do the piece again, but reduced to 2 minutes, then reduce to 1 minute, then 30 seconds, then 10 seconds, then 5 seconds.